Chloé Thevenin

Chloé Thévenin has, without a doubt, led an entire generation to her electronic music playground – one that goes beyond strictly club and techno. She is a composer, meaning she gives life to an artistic idea. Her three LPs fit within this narrative continuum: The Waiting Room (2007), the Victoires-nominated One in Other (2011) and Endless Revisions (2017) with their deft handling of aesthetics, have stood the test of time. She has also proved herself as a film music composer. The soundtrack of Lidia Terki’s film Paris la Blanche, notably led her to compose for the first time using the oral tradition of Kabyle musicians thus leading to improvisational epiphanies. She was commissioned by the Cinémathèque Française for the music of Hitchcock‘s last silent film Blackmail, as restored by the British Film Institute. In May of 2017, Chloé Thévenin composed the score for young Belgian actress Marie Kremer’s first short film Le Pérou, which was screened as part of the Talents Adami series at the Cannes Festival and continues with Passed by Censor directed by Serhat Karaaslan.In 2020, she completes the score of Laurent Cantet’s feature film Arthur Rambo.