Selection Committees

Journalist and film critic, Danielle Attali has been the head of the cultural department with Journal du Dimanche for over twenty years. Jury member for “Aide à la realisation” of the Gan Foundation in 2014, she covered more than thirty editions of the Cannes Film Festival. She was a co-writer of the book on the 70th anniversary of the Cannes Film Festival in 2017 (Edition Stock). Since 2017 she works as an independent critic and devotes herself to writing.

Ava Cahen has been the artistic director of La Semaine de la Critique since the 61st edition (2022). In 2017, she co-founded the website frenchmania.fr, dedicated to French and Francophone cinema, and is still its co-chief editor. She has been a commentator on Canal +'s Le Cercle since 2014, and between 2021 and 2023, she took part in a number of Le Masque et La Plume programs on France Inter. She has published several books on cinema and series (Woody Allen, profession cynique, Cheforama, la gastronomie au cinéma, FrenchMania la revue, Game of Thrones, décodé). She regularly takes part in juries and workshops at international festivals such as Morelia IFF, Busan IFF, Reykjavik IFF, Xining IFF (First), Jerusalem IFF Workshop, Marrakech IFF Atlas Workshops and Sarajevo IFF.

Picture © Aurélie Lamachère

Pierre Simon Gutman is the deputy editor for l'avant-scène cinéma and mise en scène and cinema history teacher for ESRA in Paris and Brussels. After a PHD on Michael Cimino, obtained in 2008 at Paris VII Denis Diderot, he has been teaching at Paris VII and Nancy 2 universities. He has been a collaborator for 3 Couleurs, Éclipses and l'Annuel du cinéma, has directed several short films and has been a member of the feature films selection committee (2007 to 2010) and short film committee between 2013 and 2016.

General editor of the Trois Couleurs magazine and manager of the MK2 editorial board for four years, Sandrine joined Le Monde in 2012. As film critic, she is presently involved in various schemes destined for screen education and contributes to La 7^e Obsession magazine.

At the same time journalist, but also film and music critic at L'Obs, he collaborates with the monthly Lui and the broadcast Le Cercle on Canal+ Cinéma channel. Between 1999 and 2008 he worked for the cinema monthly Première and he officiated for such broadcasts as Le Grand Journal on Canal+ and Dimanche 2 Cinéma on France 2. He wrote in collaboration with Alexis Trosset the monograph Martin Scorsese, which was released in 2004 by Dark Star publishing.

Coordinator

Journalist and film critic, Léo is a columnist for Libération, he was also published in Les Inrockuptibles, Grazia, Men’s Vogueand Premiere, to name but a few. He is also a commentator in Le CercleCinémaon Canal Plus Cinéma. He was the head programmer of the Bordeaux International Festival of Independent Films (FIFIB) between 2012 and 2018, and a feature film programmer for the Rotterdam Film Festival between 2016 and 2020. He also collaborated in programming for the Geneva, Utrecht and Valencia festivals. He was a member of the La Semaine de la Critique’s feature film selection committee for six years (2009-2011, 2013-2015). He has written a book on the depiction of airports in films that will be published in 2021.

A journalist for Les Fiches du cinéma, the co-host of the radio programme Longtemps je me suis couché de bonne heure, Thomas Fouet co-founded and was the chief editor of online magazine Cinématraque, the co-chief editor of Capsules, the co-writer of Les Sortilèges du blockbuster and is a member of the short film selection committee of La Semaine de la Critique (2017-2019 and 2022-2023).

After six years with Critikat.com, Carole Milleliri joins the Clapmag.com team in 2013 and becomes its editor-in-chief the next year when the magazine Clap! appeared. She also helped develop the « apéro-screenings » with Collectif Prod, a scheme dedicated to short films and she created the Ciné-Rebelle Festival in 2014.

A journalist and a film critic, Marie-Pauline Mollaret is the editor-in-chief of the web magazine EcranNoir.fr and a columnist for several specialised magazines, such as the monthly magazine L'Avant-scène Cinéma, and Bref, dedicated to short films. Marie-Pauline also works as a programmer and is a member of the selection committees of various festivals, including the Annecy International Animated Film Festival, and the PIAFF - the Paris International Animation Film Festival.